References

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Street art

I saw this sticker in Central. Great hunh? I’ve really got to figure out our logo. It’s not going to look anything like this, but I hope it has some of the originality that draws me to this sticker.

It’s no secret that my counter tops take their inspiration from Northampton Coffee. I love that place, and in part the level of care and energy that went into creating an environment that reflects the spirit of the place. Example: no art on the walls because the coffee is meant to be the art.

Researching their counters brought me to the furthest corner of Massachusetts on a cold wet day. I wanted large, thick, rough-edged, local wood. I found two beautiful slabs of red oak, both from New England. I fell in love, wrote a check for a very reasonable sum (I think it was $140 for one, and $160 for the other), strapped them to my car, and I was off. (more pictures after the break)

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This is the second part of the homework assignment Brian gave me. Here are a bunch of magazine ads. I’ve grouped them in two categories:

 

  1. “More of” – the ads that have something to contribute to the process of developing the Clover identity
  2. “Less of” – ads with elements we must avoid

Here are a bunch of pictures of clovers I’ve collected over the past several months.

Moving away from graphic references to designing the space, here are some thought I’ve had about the feelings I’m looking to evoke. I’m really excited about the truck design, because I think a ton of this will come through thanks to John and Jinhee and everyone else helping make it happen. You should expect to see more of these themes pop up in the restaurants (perhaps in a different version).

My ideas for texture flow from the aspirations for the brand. Like nature, textures found in Clover should reveal a history. Note the process marks on the potato print. You can see where the ink lay down in the printing process.

Note the patterns of the Clover flower and leaves. They are ordered, but not perfectly ordered. In my previous life we’d call a material exhibiting these characteristics a “quasi-crystal.”

I don’t know which if any of these we’ll end up using, but these are my first take at defining Clover’s colors. I spent too much time looking through aisles of stores, looking through magazines, etc. before I realized that the proper place for Clover’s inspiration to come from is nature. And there are some fantastic references that come from agrarian America (e.g., 1800s seed catalogs).

(painting is by Vilhelm Hammershoi, a danish painter from the early 1900s)

So this is where the visual identity for Clover begins: a puddle of sunlight.

A place you want to move towards/ sit under. When people think of it they want to take a deep breath through their nose, the creases around their eyes relax a little, they drift away for an instant: surrounded by a warmth of satisfaction, more things are possible, life feels more real.

 

Clean, clear warmth

Not orange/ red warmth

 

Nature-aware

Not “crunchy”

 

Forward looking, contemporary

Not post-modern (slick, self-referential, jaded)

 

Comfortable, welcoming

 

Funny, but conscientious and smart

Not condescending, never self-involved

 

Discover new things

Not lecture